It settles with an antinode
that slakes the singing reed,
and uninvited scrawls
a misanthropic creed,
but in the soil of woe
it sows disloyal seed,
as it its own self enthralls,
which greed will unto greed.
No pity for the mayfly,
Or envy for the evergreen,
No moon tonight,
Just drizzle in the street lamps,
Tea lights drift in the window,
And the crows have settled down.
The city is holding its breath,
Fingers drift over silk,
In the time between
The lightening and the thunder,
We conduct our secret affair.
What the tide left behind;
barnacles and whale songs,
and a few of the best parts
of my father.
Dún Laoghaire is a stone
lifeboat that rises and falls,
but it’s a long town
for little legs,
so we made a giant
(you only get lighter)
and we made a slow-witted bear,
and we ran in the spray
as the shore gently sank.
Dún Laoghaire is a sand
castle, but the sea
doesn’t scare you.
As it washes away at your feet,
lighter and lighter you become.
As five swans, together, lift their weight,
With no little effort, toward the sky,
My eye, yet falls, admiring, nearer ground,
Where, on a branch that overhangs the lake,
Not starting at the egret’s cry,
She, unlocking not a sound,
Who hunting over-long would drown,
Reaches out her drenchèd wings to dry.
A grebe, unseen, submerged, passes near-by,
And on the shore mill pheasants, sheep and rabbits,
But clothed in nature’s charcoal-aged habit,
She busies not herself, but sits to dry.
And so a long in-breath becomes a sigh,
Cutting through all wandering, worried thoughts,
Just to watch her perch upon the over-hanging stalk,
And reach out her drenchèd wings, to dry.
Image: Cormorant by Sonja Molina, Instagram @sonlune
There’s something so real
and present and
the thing that counteracts
a life of imaginings,
In the jagged sharpness of
crumpled and torn
an old shell rusted to
delicacy and overgrown,
refreshed by every rain,
a shelter of history,
a world for countless lives,
eating under tyres and swimming
in oil stained puddles,
ripening in rainbow decay.